SUPERLUX Drum Kit Microphone Set for Studio – Set of 7 DRKB5C2MKII

The Superlux Drum Kit Microphone Set for Studio – Set of 7 (DRKB5C2MKII) is a versatile, high-performance microphone kit designed for capturing the dynamic range of drum kits in professional studio environments. The set includes various microphones, each tailored for specific elements of the drum kit, ensuring accurate sound reproduction across the board.

Here is an overview of the key components in the DRKB5C2MKII Set:

1. Superlux PRO218A Kick Drum Microphone

• Type: Dynamic Microphone
• Element: Neodymium Magnet Capsule, Transformer Output
• Polar Pattern: Super Cardioid
• Frequency Response: 20 Hz – 10,000 Hz
• Sensitivity: -64 dBv/Pa (0.63 mV/Pa)
• Rated Impedance: 45Ω
• Max SPL: 170 dB (THD ≤ 1% at 1000 Hz)
• Dimensions: 58 mm x 140 mm
• Weight: 350 g
• Purpose: Specifically designed for kick drums, the PRO218A has a max SPL of 170 dB, making it suitable for high-pressure sound levels produced by bass-heavy instruments. It also works well for other bass section instruments.

2. Superlux PRO228A Tom-Tom Microphone

• Type: Dynamic Microphone
• Element: Neodymium Magnet Capsule, Transformer Output
• Polar Pattern: Super Cardioid
• Frequency Response: 50 Hz – 16,000 Hz
• Sensitivity: -54 dBv/Pa (2.0 mV/Pa)
• Rated Impedance: 300Ω
• Max SPL: 150 dB (THD ≤ 1% at 1000 Hz)
• Dimensions: 43 mm x 123 mm x 80 mm
• Weight: 180 g
• Purpose: This microphone is specially designed for tom-tom drums, with a permanent attached microphone clip for easy mounting. It also works for wind instruments, with a max SPL of 150 dB.

3. Superlux PRO268B Overhead Microphone

• Type: Back Electret Condenser Microphone
• Element: Pressure Gradient, Transformerless Circuitry
• Polar Pattern: Super Cardioid
• Frequency Response: 40 Hz – 20,000 Hz
• Sensitivity: -43 dBV/Pa (7.0 mV/Pa)
• Rated Impedance: 200Ω
• Minimum Load Impedance: 1000 Ω
• Max SPL: 140 dB (THD ≤ 1% at 1000 Hz)
• Dynamic Range: 115 dB
• Power Supply: 9-52V Phantom
• Current Consumption: 2 mA
• Dimensions: Φ29 (Max) x 240 mm (L)
• Weight: 270 g
• Purpose: The PRO268B is a back electret condenser mic, ideal for overhead use in drum set recording. It is also suitable for mid to high-frequency instruments, making it versatile for capturing the entire drum kit. The inter-changeable capsule design provides flexibility in sound capture.

4. Superlux PRA288A Snare Noise Microphone

• Type: Dynamic Microphone
• Polar Pattern: Cardioid
• Frequency Response: 80 Hz – 20,000 Hz
• Sensitivity: -56 dBv/Pa (1.6 mV/Pa)
• Rated Impedance: 500 kΩ
• Max SPL: 140 dB (THD ≤ 1% at 1000 Hz)
• Dimensions: 29 mm x 107 mm
• Weight: 110 g
• Purpose: The PRA288A is designed specifically for snare noise pick-up. It features a tailored frequency response with a low-end roll-off and a slight high-end roll-off, making it well-suited for mid-high frequency biased instruments like snare drums.

Key Features and Benefits of the Set

• Professional Drum Kit Coverage: The DRKB5C2MKII set provides complete microphone coverage for a drum kit, including microphones for the kick drum, tom-toms, snare, and overhead recording, allowing for a full-range and clear representation of the drum sounds.

• High SPL Handling: The set includes microphones like the PRO218A for the kick drum (handling 170 dB SPL) and the PRO228A for the tom-toms (handling 150 dB SPL), ensuring that even the loudest drum hits are accurately captured without distortion.

• Dynamic and Condenser Options: The combination of dynamic microphones (for durability and handling high sound pressure) and electret condenser microphones (for detailed, sensitive capture of overhead sounds) provides flexibility across different elements of the drum kit.

• Clear, Accurate Sound: Each microphone is tuned for its specific application, providing clear, accurate sound reproduction. The PRO268B condenser mic, for instance, captures the full range of cymbals and overhead sounds, while the PRA288A ensures the snare drum’s distinct noise is captured with precision.

• Easy Setup and Versatility: The inclusion of mounting clips, adjustable positioning, and flexible cables in the set ensures that each microphone can be set up easily and positioned for optimal performance.

Applications

• Studio Drum Recording: Ideal for professional drum kit recording in the studio, providing clarity, detail, and depth for each element of the kit.
• Live Sound: The high SPL tolerance and rugged design make the microphones suitable for live drum recording or live sound reinforcement.
• Multi-Track Recording: With dedicated mics for each part of the drum kit, the set is perfect for multi-track drum recording where each drum and cymbal can be isolated and captured separately.

Conclusion

The Superlux Drum Kit Microphone Set (DRKB5C2MKII) offers a comprehensive, high-quality solution for capturing the full range of drum sounds in a studio environment. Whether you’re recording for music production, broadcasting, or live performances, this set provides the versatility and sound accuracy you need. With a mix of dynamic and electret condenser microphones, it handles the loudest kicks and sharpest cymbals with ease, ensuring every drum element is captured clearly and with great detail.